SINGLE-AUTHORED BOOKS

  1. Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance Palgrave Macmillan, London, forthcoming.
  2. Izvan muzičkog dela: Performativna praksa Erika Satija, Dzona Kejdža, Fluksusa, La Monta Janga I Džona Zorna (author), IKZS, Sremski Karlovci, 2007, in Serbian language (Beyond the musical work: Performative practices of Erik Satie, John Cage, La Monte Young, Fluxus and John Zorn)
  3. Otvoreno delo u muzici: Boulez, Stockhausen, Cage (author) SKC, Beograd, 2004, in Serbian language. (including English summary and translation Open work in music: Boulez, Stockhausen, Cage)

 

 

CO-AUTHORED BOOKS

  1. Drumming and Rain: A Choreographer’s Score (co-authored with Anne Teresa De Keersmaeker) Brussels: Mercatorfonds/Rosas, 2014; Drumming and Rain: Carnet d’une chorégraphe French edition, idem
  2. En Atendant & Cesena: A Choreographer’s Score (co-authored with Anne Teresa De Keersmaeker) Brussels: Mercatorfonds/Rosas, 2013; En Atendant & Cesena: Carnet d’une chorégraphe French edition, idem
  3. Public Sphere by Performance (co-authored with Ana Vujanović), part of research Performance and the Public (How To Do Things By Theory, Les Laboratoires d’Aubervilliers); Berlin: Bbooks, 2012.
  4. A Choreographer’s Score: Fase, Rosas danst Rosas, Elena’s Aria, Bartók (co-authored with Anne Teresa De Keersmaeker) Brussels: Mercatorfonds/Rosas, 2012; Carnet d’une chorégraphe: Fase, Rosas danst Rosas, Elena’s Aria, Bartók French edition

 

EDITOR OF VOLUMES

  1. Retrospective by Xavier Le Roy, Presses du Réél, Paris, February 2014 (English and French)
  2. Parallel Slalom: Glossary of Non-Aligned Poetics, co-editor with Sergej Pristaš, Zagreb/Belgrade: CDU/TkH, 2013.
  3. Collect-if by Collect-if, Maska Publications and vzw ZOE, Ljubljana – Brussels, 2003.
  4. “Open Work – Odprto delo”, Maska Performing Arts Journal, editor, Volume 20, no. 5-6 (94-95), 2005

PUBLICATIONS IN JOURNALS, MAGAZINES AND EDITED VOLUMES

  1. “Notes for a Society of Performance,” in Composing Differences, ed. Virginie Bobin, Les presses du réel, Paris, forthcoming.
  2. “The Art of Theatrocracy”. in Kunstenfestivaldesarts book, ed. Lars Kwakkenbos and Daniel Blanga-Gubbay, Mercator, Brussels, forthcoming.
  3. “Ples-rat,” “Dance War” TkH Journal for Performing Arts Theory vol. 21, December 2013, 32-46
  4. “Social Choreography” TkH Journal for Performing Arts Theory vol. 21, December 2013, co-editor with Ana Vujanović
  5. “Aprender haciendo y hacer aprendiendo cómo aprender” in Lectures sobre danza y coregrafía, ed. I. de Naverán & A. Écija, Artea, Madrid, 2013, 83-92.
  6. “On the Choreographic Production of Problems,”in Dance, Politics & Co-Immunity, ed. G. Siegmund and S. Hölscher, Diaphanes, Zürich-Berlin, 2013, 135-144.
  7. “A Few Remarks about Research in Dance and Performance or –– The Production of Problems.” In Dance [And] Theory, ed. G. Brandstetter and G. Klein. Bielefeld: Transcript Verlag, 2013, 45-50.
  8. “Notes on Cinematic Procedures in Contemporary Choreography” and Xavier Le Roy and Bojana Cvejic, “To End with Judgement by Way of Clarification” in Dance, Documents of Contemporary Art, ed.by André Lepecki, Whitechapel Gallery, MIT Press, 2012, 93-95, 19
  9. “Dance/Theories – Reloaded”. TkH Journal for Performing Arts Theory vol. 18, December 2011. Co-editor with A. Vujanović.
  10. “Xavier Le Roy: The Dissenting Choreography of One Frenchman Less” . Contemporary French Theatre and Performance. C. Finburgh and C. Lavery (ed.). London: Palgrave, 2011, 188-199.
  11. “Exhausting Immaterial Labor in Performance”, “Epuiser le travail immatériel dans la performance”, “Iscrpljujući nematerijalni rad u izvedbi” (in English, French and Serbian). Co-editor with A. Vujanović. Joint Issue of Le Journal des Laboratoires and TkH Journal for Performing Arts Theory vol. 17, October 2010.
  12. “Lay Dances, Manifest Choreographies”, “Amaterski plesi in manifestne koreografije”, (Joint Issue of Amfiteater Journal of Performing Arts Theory vol.2,2 (2010) and Maska Performing Arts Journal 25, 127-130 (2010), 175-198.
  13. “The Ignorant Dramaturg”, “Nevedeni dramaturg” (in English and Slovene languages). Maska “Prakticna dramaturgija/Practical Dramaturgy”, vol. 131-132, 40-53.
  14. “Brajan Masumi”, in: Figure u pokretu: Savremena zapadna estetika, filozofija i teorija umetnosti. Miško Šuvakovic & Ales Erjavec (ed.), Atoca, Beograd, 2009, 704-720.
  15. “Schnittverfahren und Mischungen: Anmerkungen zu filmischen Verfahren in der zeitgenössischen Choreographie,” Tanzjournal, volume 5-09, 29-34.
  16. “Wir haben kein Geld, also müssen wir denken: Eine Notiz über spekulativen Pragmatismus”, “We don’t have money, so we have to think: A note on speculative pragmatism”, Sigrid Gareis und Krassimira Kruschkova (hg./ed.), Ungerufen: Tanz und Performance der Zukunft, Uncalled Dance and Performance of the Future, Theater der Zeit, Berlin,152-159, 334-340.
  17. “Trickstering, Hallucinating and Exhausting Production. The Blackmarket for Useful Knowlede and Non-knowledge’’, in : Knowledge in Motion, Perspectives of Artistic and Scientific Reserch in Dance, ed. by S. Gehm, P. Husemann, Katharina von Wilcke, transcript Verlag, Bielefeld, 2007.
  18. “Theory, Police and Disagreement’’, in : Reverse Engineering Education in Dance, Choreography and the Performing Arts follow up reader for MODE05, bbooks, Berlin, 2007.
  19. “Learning by making and making by learning how to learn’’ in: Academy, ed. by Angelika Nollert, Irit Rogoff, Bart De Baere, Yilmaz Dziewior, Charles Esche, Kerstin Niemann and Dieter Roelstraete, Revolver Verlag, 2006.
  20. “To end with judgment by way of clarification’’ in : It takes place when it doesn’t. On dance and performance., M. Hochmuth, K. Kruschkova and Georg Schollhammer (ed.), Revolver, Frankfurt, 2006.
  21. “The Alliance Is Over! Conceptual Dance and Performative Theory – East and West”, in Marina Gržinić: Mind the Map: History is not Given! Berlin: Projekt Relations, 2006.
  22. “Open Work: Does it deserve a theory today?”, in Maska Performing Arts Journal, Volume 20, no. 5-6 (94-95), 2005, 5-23. (in collaboration with Ana Vujanovic)
  23. “Collectivity? You Mean Collaboration,” Ballet-Tanz, Vol. 7, Juli 2004, 34-37. Also available at http://republicart.net/disc/aap/cvejic01_en.htm
  24. “The Passion of Proceduralism,” Performance Research 9(1), March 2004, Taylor & Francis Group, London, 107-111.
  25. “OIL, MONEY, BODY… Intervals, interstices between theatre, theory and politics”, in: Pipelines, a construction, Bojana Cvejic (ed.), Kaaitheater Publication, Brussels, 2004.
  26. “Gute Objekte im Tausch gegen montröse Events. Von der Unbeständigkeit des Tanzes” / “Good Objects Exchanged for Monstrous Events. Speaking of the vicissitudes of dance medium”, Open the Curtain. Kunst und Tanz im Wechselspiel/ Interplay between Art and Dance, Dirk Luckow, Susanne Traub (Hrsg./eds.), Kunsthalle zu Keil der Christian-Albrechts-Universität, LB Kiel, 2003, 12 April – 4 May 2003
  27. “The Accursed Share: Accounting for the Open, Once Again,” Frakcija: Vague-Volatile-Incomprehensible, Performing Arts Magazine, No. 28/29, summer-autumn, 2003, 30-40.
  28. ”Dlan u zubu ili manifestovanje opere-mašine,” Teatron časopis za pozorišnu umetnost, br. 126/127, proleće/leto 2004, Muzej pozorišne umetnosti Srbije, Beograd, 41-46.
  29. ”AUTOR KAO PRODUCENT: Kronos kvartet u performativnim mutacijama sveta muzike”, Novi zvuk, Internacionalni časopis za muziku, br. 22 /2003, SOKOJ-MIC, Beograd, 27-87 (with English translation).
  30. ”NEMOGUĆA OPERA: Performativ – garancija opstanka opere u kulturi?”, Muzički talas, br. 28/2001, Clio, Beograd, 62-67 (English version available).
  31. ”Ivana Ognjanović: Poslednji bal Margarite Nikolajevne ili kako raz-otčarati kompozitosko majstorstvo”, Novi zvuk, Internacionalni časopis za muziku, br. 20/2002, SOKOJ-MIC, Beograd, 79-82.
  32. ”Blizu i daleko: Nokturno beogradskog proleća 1999. godine za kamerni ansambl, živu elektroniku i audio traku Srđana Hofmana”, Novi zvuk, Internacionalni časopis za muziku, br. 17(?)/2001, SOKOJ-MIC, Beograd, 61-67.
  33. ”Deseta Međunarodna tribina kompozitora”, Novi zvuk, Internacionalni časopis za muziku, br. 18/2001, SOKOJ-MIC, Beograd, 129-32